Maïcee is building her own world without asking permission. Based between London and Paris, she has emerged as an unapologetic figure on the new alt-pop and electronic scene. A true all-around creative force, she injects a shot of adrenaline into a musical landscape where club-ready beats meet punk energy. Her sound is a collision: massive basslines, disruptive productions, and unfiltered lyrics. At the intersection of Charli XCX’s hyper-pop, Ashnikko’s audacity, and INJI’s house-infused energy, she fuses the precision of chanted phrasing with the immediacy of pop choruses. From self-assertion to girl power, Maïcee explores with brutal honesty the complexity of emotions, the frailties of mental health, and even climate tensions.
Noticed from her very first EP, i think my brain is weirD (2023)—praised for its dark, electronic aesthetic by Libération, Rinse FM, and Grünt—she has since been included in Vogue and Technikart’s “To Watch 2025” lists. Her discography has been expanded with the EP Been High Lately… (2024) and her introspective counterpart …and down too (2025), a diptych where broken beats meet dark-pop and club atmospheres. A world captured by renowned media outlets (Konbini, France Inter, Culturebox, VEVO Pop, Basique, Les Inrocks, RTBF) and featured on leading Spotify playlists (Hyperpop, New Pop Revolution), as well as by the global brand H&M.
Maïcee blends apparent softness with the edginess of the club scene. Everything about her is a collision of contrasts that explodes on stage with a commanding presence and the power of a hybrid drum kit. This identity truly comes into its own in live performances, from The Great Escape festival in Brighton to stages in Seoul, London, and Paris, where she recently delivered a total immersion between live performance and club vibes at Badaboum for a sold-out release party.
By breaking down the boundaries between genres and emotions, Maïcee asserts herself as a shockwave poised to redefine the codes of international pop.